Review provided by Matt Fulco To be perfectly frank, Bob Dylan played an outstanding concert on Valentine's Day. No gimmicks, no phony antics, just his music, straightforward and impassioned, and at times downright inspired. Going into the show, a nasty thought refused to leave my head: Would Bob be intimidated by playing in such a large venue? Sure, he's played Madison Square Garden and the Great Western Forum, but that was back when the drinking age was still 18. These days, he's much more comfortable in the intimate settings of small theaters. The Public Hall in Cleveland seats 10,000, about 5 times the amount of people Bob is used to playing in front of. Fortunately, the experienced Mr. Dylan did not disappoint. After Kenny Wayne Shephard's hour long set of searing blues rock, Bob took the stage around 8:45, decked out in a suit which my friend said "he looked like he picked off a dead waiter." Hell, he's Bob Dylan; he can get away with it. The opening notes of "Absolutely Sweet Marie" hit my ears. Granted, this was not the "Not Fade Away" that blew me away as the opener in Hartford last April, but it was the best version of this song I have heard in concert. Dylan and his band were tight, and he crooned the lyrics wryly, singing them with a newfound subtelty. Next was "Senor", exploring a theme Dylan would follow up on throughout the night, one humorous and or sarcastic song, followed by something decidedly more apocalyptic. Ice-like chills traveled through me as he delivered the line "Can you tell me where I'm headin', Lincoln County or Armageddon?" I expected to hear "Cold Irons Bound" in the third slot, but instead we got "Can't Wait." Powerfully delivered, this tune is continuing to evolve. Bob sang the lyrics more precisely and more convincingly than in Columbus last November. After "Can't Wait" came the first of several highlights, "Simple Twist of Fate." Bob and his band came close to perfection with this song. Dylan sang it beautifully, softly delivering the line "And wished that he'd gone strayyyyyt..." He gave it new meaning. It shared the eloquence of the album version, but Bob sang it in a sadder and more reflective manner, which was greatly aided by Bucky Baxter's phenominal work on the pedal steel. "Silvio" came roaring at us like a buffalo stampede. Bob and his band were so tight during this tune that the music was playing them. Larry Campbell's leads decorated the song in dazzling streaks, adding the needed touches to a masterpiece. Last April, this song lacked alot of punch because Campbell had not worked his way into the band's chemistry and Dylan was playing lead. Hey, I like Bob's guitar playing, but for Silvio, you can't beat the sound of a blistering lead guitar. Dylan also acted very animated throughout the song, doing his now patented (it really oughta be by now) duckwalk around the stage and giving a few jerks of his head here and there. Unfortunately the acoustic set was disappointing. Not that it was uninspired. No, the song selection left much to be desired. The January concerts included acoustic sets featuring the likes of "Desolation Row" "Hard Rain" "Girl From the North Country" "Love Minus Zero No Limit" "Boots of Spanish Leather" and "John Brown." We got "Cocaine Blues" and "Masters of War" plus the obligatory "Tangled Up in Blue." Superbly played, but I don't thik anybody would have complained had Mr. Dylan subbed in "Hard Rain" and "Desolation Row" instead. Next they played "Million Miles," a first for me. Dark to the point of apocalyptic this song amazed me in concert. And the showstopper followed it. I had hoped for the next one, and maybe because it was Valentine's Day, Dylan delivered, with an impeccable "Queen Jane Approximately." One of my all time favs, I've wanted to hear this one in concert for some time, and this version was superb. Laid back, but still retaining the sardonic wit of the original it was surely the highlight of the show for me. The encores were predictable, but still good fun. "Til I Fell in Love With You" and "Don't Think Twice" were both very solid, but "Lovesick" was outstanding. The rhythm of this song reminds me of drops of rain slowly falling on the decrepit shingles of somebody's home, while the speaker of the song trudges down dark, empty streets. Dylan catapulted us into the speaker's world with ease, before the mood was somewhat broken by a girl who jumped on stage to hug and kiss Mr. Dylan. "Rainy Day Women" was good considering just how beat it's become, and it was a good end to a great show. Dylan is playing better than ever these days. The band continues to get tighter and tighter, and a good deal of the aimless jamming of recent years has been eschewed in favor of more focused playing. Dylan's voice may be shot, but he's singing with inspiration and that's all you can ask for from the guy. He even wished us a Happy Valentine's Day. Happy Valentine's Day to you too Bob. -Matt Fulco 2-15-98 ********************************************************************************** Review provided by Carsten Molt Wow! i was in Cleveland last night to see Bob Dylan at the public hall. i thought i'd give my review of the show. First off, there is no place i'd rather be then with my girlfriend at a Dylan show on Valentines Day. The venue was large(10,000 seats and i worried about the echo but my worries were laid to rest when the Kenny Wayne Shepard band gave a very rocking hour set that got the very excited crowd pumped up for Dylan. Dylan and co. took the stage at 8:54 pm. Dylan was dressed in his now average "country-gentleman" outfit. He had no hat but his hair was really fluffy. My girlfriend said it looked blowdried. Now for the important stuff. 1. Absolutely Sweet Marie- Dylan sounded refreshed and relaxed from the first note. Just a classic performance. Lots of eye contact with the crowd already and big smiles from the whole band. 2. Senor(Tales of Yankee Power)- Wow! Dylan had every word enunciated perfectly and powerfully here. He seemed really in that magical groove where he has the audience in the palm of his hand and fed off their collective energy. 3. Cant Wait- i was hoping for Cold Irons Bound but this was amazing. If the show ended her, i would have been satisfied. Much better than the album version. 4. Simple Twist of Fate- i was really impressed by Dylan on this tune. He caressed every word and floated the lyrics just right, never oversinging or slurring the words. This band is as good as the Band if not better. They had awesome interplay and seemed really into the show. 5. Silvio- No surprise here. Dylan was playing lead here. great version. The energy in the room was incredible. All ages and races on their feet through the show. Lots of posing and more smiles by Dylan. Between songs, he and Larry Campbell were joking with one another. It was cool to see Dylan enjoying himself. 6. Cocaine Blues(acoustic)- i was really pumped up for this and Dylan did not dissapoint me. i had never heard the song before but found myself singing along by the end of it. Really, really nice. 7. Masters of War(acoustic)- nicely played. crowd going nuts. Event staff kicking me out of the aisle in the middle of the song was a bummer, though. Bucky Baxter has a cool goatee. i just noticed it during this song. 8. Tangled Up in Blue(acoustic)- really nicely played. Pretty much like all the other versions. Maybe, he should retire this for a while. The crowd went crazy for it though. Maybe, this is his"Keep the Customer Satisfied" song. 9. Million Miles- Woo-Hoo! Powerful with great vocals and cool phrasing. Words can not describe the energy that he had. More playing the crowd and broad smiles. 10. Queen Jane Approximately- A nice surprise and Dylan nailed it. The acoustics of the hall were excellent. The entire show was in excellent sound. No flubs or distortion audible from my seat in row z. 11.Highway 61- Before the show, i told my girlfriend that if he played Highway 61, i was going to the restroom. When it started, i didn't recognize it. i started dancing and if it were not for the crisply delivered lyrics, i would not have known it. Gone are the overloud, boring versions of when i previously heard it. This was stunning. Dylan was dancing around and did his duck-walk thing. Awesome. encores 12. Til i Fell in Love- Dylan leaning into the vocals. The vocals were front and center all night. No crowding of the instruments over the vocals. This was a little faster than the album version of the song. 13. Dont Think Twice(acoustic)- Never one of my favorites but i really enjoyed it. Dylans voice was really strong and vibrant. There should be great tapes of this show out there since there was no security at the door. 14. Lovesick- i now know what the fuss was about. This was the biggest surprise for me. Not that he played it but the arrangement. Much more intense than the album. No words can describe how great this show was. 15. Rainy Day Women #12 & 35- House lights up and Dylan and Larry Campbell trading awesome licks. The entire crowd was on their feet dancing and singing. The best Valentines Day i ever had. Dylan was so full of energy, it was amazing to think that several months ago, he was in the hospital. He announced the band, noting with Larry Campbell" He's been playing with me for quite a while now. he plays some guitar. Actually, he has played a lot of guitars." Dylan also sent out Valentines Day wishes "Happy Valentines Day to you and you and you and you." This was the best show i have ever seen. 8 of the fifteen songs, i had never heard live before and there was not a dog in the bunch. Bob Dylan isn't getting older, just better! Carsten Molt ************************************************************************ Review provided by David Davis I will try to describe the venue and the mood and atmosphere, the music speaks for itself, if you are reading this, you have been there and know what I mean. Had a ticket nightmare at the will call window and didn't get in till after 8 pm. Had seats in the lower balcony a mile or so away from the stage, but as we moved up to great seats in the lower balcony just off stage right, it didn't really matter. My wife and I were dressed up in full yuppie regalia, and while the ushers were checking deadheads tickets we walked right down and never had to move. It was kinda a L.L. Bean stealth seat upgrade. We took somebodys seats just as Kenny Wayne Sheppard was finishing up some "Voodoo Child " meets the ghost of Stevie Ray Vaughn. It was loud and they really worked themselves into some music frenzy. For all the fans of Kenny Wayne, he and his band were very graciously signing autographs and mixing freely with anyone who was interested, out in the street at 5pm. The venue was a large, double balcony, arena type place, high ceilinged, with a big old stage at one end. It has lots of scrool work and murals of Moses Cleveland stealing the place from the Indians and guys building steel mills and ships and stuff. The venue has hosted everything from the Cowsills to the Beatles, with some All-Star Wrestling and Cleveland State Basketball thrown in. At 9:50 the incense was lit, the house lights went down, (but not way down) and we got, "Columbia recording artist....." Bob in black suit with a white stripe down the leg, patent leather boots and a black bow tie. He seems to have lost weight since I saw him in last fall in Huntington WVA and Columbus. Carol was sure he had a big haircut. The band was dressed sedately, and all had hats except Larry who was hatless and had on a red coat. Bucky only had his petal steel, no fiddle, no keyboard, all extra guitars and mandolins stored off-stage. (Except the upright bass). The stage looked bare. >From the first song, I don't know if it was the venue, my location, the time off, or all of the above, but the vocals were crystal, best I have ever heard from Bob. Not much to say until CAN'T WAIT, Bobs vocals were outstanding, he really hit "The air BUURRNNNSSSSS" Silvio still in the 5 spot and I still like it, had some nice lighting going on, and good crowd reaction. Bob went right into playing the intro to Cocaine while the lights were still down and instruments were being exchanged. He just flat started by himself and everyone else had to catch up. TUIB remains strong, we got truckdrivers, and the verse about the pipe and Italian poet left out like always these days. We next got Million Miles which featured some serious lead by Larry. Then we got Queen Jane and the band intros, Bob said something like "This is Larry Campbell who has been playing guitar with me for a while, Lots of guitars." THEN he said "Happy Valentine's day to you and you and you and you ." pointing at the front rows. Then the band busts in Highway 61. Down on the floor, the security guys who had been determined to keep the middle isle open, gave it up as bad business and concentrated their efforts on keeping the deadhead snake dancers from getting infront of the sound boards. Meanwhile Bob is mugging, flirting, and enjoying the view in front of the stage. Highway 61 was really loud. The song ends, Bob throws kisses, and leaves stage. Several girls, and one guy, get up on stage, some dance, some talk to Bob, all are gently escorted back to the front row by stage crew (not security). The venue was wide open up our way, with people openly taping, holding microphones up and even running a VCR. Folks were smoking cigarettes and drugs, and no one really seemed to give a shit. You could have carried any kind of recorder in. RDW with lights up and everyone went home happy. Overall, no suprizes in the setlist but really good sound, Bobs voice is STRONG. as good as I have heard in the last 3 years. Nice show. David Davis
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