April 1, 2009
Review by Grzegorz Gras
I have just got back home from Berlin 30 minutes ago and took a shower.
Decided to drop this little review right away, so it’s still fresh and
alive.
After leaving home at 7:30 in the morning, me and my girlfriend got to
Berlin around 1 pm. Took a nice walk from Hauptbahnhof to Alexanderplatz
and then a subway to the Max-Schmelling-Halle area, where we arrived a
little past 4 o’clock. Surprise – amazingly few people were there at the
venue. Actually not until way past 5 there was not any crowd. We met a
friend from Italy, Michele and couple more guys, had a chat and waited for
the door to open. It did at 6:30. Security guys were struggling to let us
in in their “deutscher Ordnung” way. We finally got to the stage, being in
the third row just in front of Bob’s keyboard, so a really nice view.
Waited another 90+ minutes for the show to begin and there they came – all
dressed up in dark grey (or maybe black) suits with black hats, only Bob
was wearing white.
First song, Wicked Messenger was strong, although I couldn’t help the
feeling that his voice sounded more like shouting, but I guess it was due
to the Halle’s acoustics. I don’t want to go song by song, as there’s no
need for that, you’ll all get to hear that show anyway…
So just the highlights – I really light his guitar picking on You ain’t
going nowhere, and there was also some strong harmonica playing throughout
the show (at least there was a lot of this harmonica, which is nice,
especially when he goes center stage). My back pages had it moments, I
also liked this new arrangement of Beyond the horizon, although Denny’s
guitar picking on that one makes the song sound a little silly. But let’s
not be picky… “Stuck inside of mobile” was good, as you get to see some
acoustic guitar emphasized there, which I miss a lot these years. It was
good to hear “Workingman’s blues” live again, especially that it was the
first performance this year. Then “Thunder on the mountain” and “Like a
rolling stone”, a usual pleaser, which sounds the same every night and
still you don’t get bored with it. A typical encore for this tour and
there they stood, looking into the crowd… or behind the crowd. I’ve got
this really bad feeling that they, especially Bob, looks behind the crowd
now and I gotta admit that I’m a little bored of his scheme of not paying
any attention at all to his audience these year. I mean, even this “Thank
you friends, I want to introduce my band to you right now bla bla bla” is
so much the same night after night, that it’s getting boring. He could do
better, I know he could.
By the way, I almost got busted by the security for taking pictures – but
the guy gave me one last chance. I did take a few good ones, though! Hope
to take some more in Brussels.
Overall a nice show with a good setlist – especially for my girlfriend,
for whom it was the first Bob shows ever. No surprises though – I actually
stopped counting for any surprises nowadays. The arrangements are nice,
but they all sound the same, the band sounds the same too, and Bob’s
acting is all the same as well.
I’m not saying that I didn’t like it – I loved it, I always love to see
Bob live. But I wish he would change something. I wish for that just one
moment he started to care again – I know that things have changed, but why
so much?
Come on, Bob – change your scheme. Just a little bit!
For anything Bob-related (trading, infos, chatting, whatever), you can
reach me under:
grzegorz.gras@gmail.com
Review by Reinald Purmann
The Wandering Star needs two years on his orbit to return to this part of
Europe.
High expectations everywhere.
They are planting storys in the press about The Mans portable potty at the
entrance to His Dome in Malibou, Cal ! Is that so far fetched, a portable
throne for the wandering song & danceman ? Remember the old battle hymn
from M&A: “I wish I was in Dixie, away…” ?
Bob Dylan once said to J. Cash, that all his songs came to him from God.
“That’s right”, Cash replied, “except the songs that came to you
from Woody & Hank& Me.” Anyway, all the songs that came from him in
Berlin 2009 came to us direct from heaven.
In the “Very Best of..” short-list of the legendary bobsboots.com at
least two Berlin-Concerts (up to 04) are beaming. Think this list has not
finished yet.
At 20.08 time like the day before The Man & his band conquered stage, all
man in black in the darkness, Dylan put on his grey hat – and the lights
went on fur some unaudible “Wicked Messenger”. First impression was
like an eco-version of rock-music, driven by the solar- power from a
fading april sun. They fixed this p.a. problem very quick, but the last
time in Berlin, 2007, the sound was definetly better. Dylan compensated
with some fine songs, singing from “the land of coca-co-ola”. Standing
in center-stage playing guitar commanding “You ain’t going nowhere”!
“Levee…” – not one of my favourites – was as perfect as the
night before and a real high-light. (Only 5 songs were the same the night
before). An heartfelt “My back pages” touched the audience in full.
This was another highlight. “Highway 61” was another and “Working
Man Blues 2” was a perfect & beautiful tell tale sign on the day of the
G-20 summit. How many Artists speak (in a song !) of the proletarians and
their economic fate ? –
“Like A Rolling Stone” touched everyone and many one fight on tears.
The concert was to many people, young & older, Dylan-hard-core and
concert-beginners who I with wich I talked to a source of good feelings.
And so say I. “Just like a woman” was missed. The band is very tight
& concentrated on what they are is doin, the guitars have little freedom.
(Watchtower for an exception). The good Donnie Herron is very close to
his masters voice. He and all the band are perfect musicians, but in
fixtures and the sound-mix reduced the violin and strengthed his harp
instead. Maybe this is the way he wanted it, and in some way it must
be done and so it’s okay and the music was very good, instead or
because of it. – Then they stood their like a stonewall, facing the more
than 5000 people and turned around to the left and vanished back in the
darkness. --- I wish all the best for This Man and his Cowboy Ba nd, and
to Bill Pagel, and to all of you. Don’t dare to miss.
R. Purmann
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