April 29, 2007
Review by Johannes Grausgruber
It was a very special night. My daughter Victoria had asked me a couple of
months ago if she could see a Dylan concert after her eighth birthday. By
that time she did not know that I had already bought three tickets, one
for her as a birthday present, one for Maribel, my wife, and one for
myself.
So, I was really excited, not that much about what the maestro would
deliver, but a lot more about how Victoria would like it. The start was
kind of mixed: After a solid interpretation of a mediocre song (Tweedle
Dum) we listened to a lousy rendition of "The Times They Are
a'Changing'. Our faces brightened up, however, and Maribel and Victoria
were clapping hands, when Bob and the band grooved into "Watching the
River Flow". This was followed by the first highlight of the show, an
outstanding version of "It's All Right, Ma". Bob's voice was in great
shape and the new arrangement gives a completely different flavor to
this song. Victoria gladly approved and called this her favorite song.
Although Maribel's and my hopes for "Just Like a Woman" were
disappointed, the beautiful "Girl of the North Country" gave us full
compensation. Very funny to hear the old womanizer singing about his
first girl friend. We were even treated with one tune from Bob's harp.
But, after a solid "Rollin' and Tumblin", we got a lot more harp tunes
at the beginning of song number 7. First, i did not recognize it, but I
expected Dylan to pull something magic out of his sleeve: "Ain't it just
like the night...." I could not believe it. Once again, I had the
incredible luck to enjoy "Visions of Johanna"!!! Once again, in Zurich.
I mean, I had to wait for 14 Dylan concerts and 18 years until I finally
had the privilege. What a beauty!
Later on, Maribel also got two of her favorite songs: Blowing in the
Wind (which was a good replacement for All Along the Watchtower) and
Like a Rolling Stone. Too bad, my mother-in-law could not join, she
would have loved "Spirit on the Water". Quite interesting taste,
normally she is more into Jimi Hendrix.
A word on the band: The boys do a solid job with the mellow songs.
However, as far as the rockier stuff is concerned, I do miss Charlie
Sexton and Larry Campbell. Bob really got into it when he let out the
rock and roll animal in "Summer Days", but the band and especially Denny
Freeman were left behind.
None of this happened at all. I was extremely happy to share this great
evening with Maribel and Victoria and someday, maybe, who knows, baby
... we might bring along our second daughter Sara.
Johannes Grausgruber
Review by Shmuel Berger
I've seen Bob live some eighteen times over the past 33 years, and the
concert in Zurich, April 29, 2007 counts up there with the finest,
comparable to Toronto, January 1974 (Bob Dylan/The Band) and The Mann
Auditorium in Tel Aviv, Israel, June, 1993. The Master was as masterful
as ever. I could fill pages with superlatives, but I can sum it all up
with this:
More than forty years after its release, I finally heard Visions of
Johanna live. It was the painting of the masterpiece. Stunning,
haunting, searing, gorgeous. Nothing more need be said about Zurich:
this Visions of Johanna conquered my mind, and of itself made the
journey overseas for the concert worth the considerable effort to be
there. May the Never Ending Tour never ever end.
Shmuel Berger
Tel Aviv
Review by Buldeo
The evening was disappointing. The first song was "Tweedle Dee", quite
good a start after "Cat's in the Well" as opener in Geneva. But for most
part of the evening Bob turned to his old warhorses and relied on the
standard stuff. "Times Are A-Changin", "Alright Ma", "Highway 61" and
"Blowin in the Wind" ....do we really need to listen to them over and over
again? After sitting through the second boring performance of "Watching
the River Flow" within 4 days, "Girl of the North Country" in a sweetened
version was a bit more interesting. "Visions of Johanna" was a nice
surprise. "Rollin' and Tumblin'", "Things Have Changed", "When the Deal
Goes Down" were ok of course. "Nettie Moore" drew a lot of applause, but
somehow the Geneva rendition of the same song four days earlier seemed
better to me. I have to confess this evening bored me. Where are the
magical moments of earlier Dylan shows? Bob, oh Bob, where art thou?
Buldeo
Review by Andrew Shields
Dylan continues to blow the roof off with his live performances. This is a
working band of the finest quality. I was especially struck by Denny
Freeman, whose guitar work had never really caught my attention before (he
joined the band in March, 2005, and I heard him with BD in Zurich in
November of the same year, plus I've heard him on quite a few bootlegs).
His playing was eye-opening, especially on the ballads, above all on a
gorgeous rendition of "Visions of Johanna," where he played the sparsest,
slowest of melodies, with a couple of slightly bent double-stops as
climaxes.
The setlist:
1. Tweedle Dee & Tweedle Dum
2. The Times They Are A-Changin'
3. Watching The River Flow
4. It's Alright, Ma (I'm Only Bleeding)
I missed Larry Campbell's bouzuki here, but it was still a powerful
version.
5. Girl Of The North Country
The current arrangement of this one is so poignant that it continues to
bring tears to my eyes.
6. Rollin' And Tumblin'
7. Visions Of Johanna
I mentioned Freeman's soloing here; Dylan began the tune with a painfully
beautiful harmonica solo, too.
8. Things Have Changed
9. When The Deal Goes Down
10. Highway 61 Revisited
11. Spirit On The Water
This was the one I was looking forward to from Modern Times. Great to hear
it!
12. Tangled Up In Blue
Absolutely blew the house down. Freeman was brilliant here, too; again,
nothing with virtuosic speed, just beautiful melodies, especially in the
guitar's low range. "Some are mathematicians ..."
13. Nettie Moore
Even more haunting live than on the album.
14. Summer Days
Serious Dylan fans are sick of this one, but I hope they listened to it
last night, because the band just took off with it. As powerful as Neil
Young with Crazy Horse‹and like CH, also threatening to lose control, but
never quite doing so.
15. Blowin' In The Wind
An unusual, surprising almost rock-n-roll version. This one was for all
those who complain about how Dylan rearranges his tunes, because this
rearrangement was absolutely first-rate.
(encore)
16. Thunder On The Mountain
Faster than on Modern Times, much more rock-n-roll drive.
17. Like A Rolling Stone
The first Dylan show I have ever attended where he did not play "All Along
the Watchtower"!
Andrew Shields
http://andrewjshields.blogspot.com/
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