June 23, 2017
Review by Barry Gloffke
Wow. Last night’s show in Kingston still has me on a high almost
twenty-four hours later as I write this. Bob was truly on his game, the
sound was pitch perfect, the band was crisp, and the audience very
receptive, with just enough energy too add to the stew. Not too many
people on their feet in front, but certainly lots of happy whoops and
hollers from the peanut gallery. The thing about a good Bob show is that
it takes a good Bob for that to happen, because regardless of Bob, it
seems that the band is good every show. Last night we got a good, no,
make that a great Bob. He unleashed some phenomenal, deeply emotive vocal
phrasing on almost every song, especially the American standards. Most of
his originals were given slight chord alterations and sprinkled with very
nice changes in cadence and pace. Just brilliant.
Stepping back for a moment, the venue setting was a new untested
entity called Hutton Brickyards. Located directly adjacent to the
Hudson River, beneath an open-air, steel roof structure. It was a
bucolic setting. The event was twofold: one was the Dylan concert, the
other was a food fair called Smorgasburg, open only to Dylan ticket
holders. Unfortunately, neither event organizer were properly prepared
(although they are giving themselves high praise for that very thing).
The parking situation was ill thought-out with a limited amount of pre-
paid spaces for ticket holders (not all of those parking spaces were
located on the venue premises). Ticket holders without pre-paid parking
were assigned municipal parking lots in Kingston and from there had to
board a shuttle bus to the venue. The local traffic was backed up with
all the early arriving Dylan fans waiting for the gates to open at 5:30.
Crazy set-up. The entry process to the venue itself was too slow because
of lack of personnel. As for the food fair, the vendors were too few and
had too few workers actually working. Lines of 200 people formed
everywhere. This was especially evident in the beverage line where you
had an absurd set-up... one person took your order, one person filled it,
one person served it to you, and three other people were... (scratch head
here)... well I’m not sure what the others were doing. No joke, from
around 6:30 until after the show started at approximately 8:05 the lines
were 45-60+ minutes. I went to check the lines 10 minutes before the show
and there were still a good 50-100 people in most lines. The event was
also a rare GA seated one... first come, first served to find a seat.
This obviously led to awkward moments where late arrivals think they
found seats up front but were told that the seats were occupied. Or, they
found seats, sat in them, and then were confronted by the people who had
those seats but were on line for food and beverage for an hour. Really
bad planning by the event organizers.
Myself, because I purchased a ticket the day before the show I was
told to park in a UPAC parking lot in Kingston and then board a
shuttle with others to the venue. That did not sound like a good plan, so
I concocted an alternate one, and I have to admit that I was surprised
how well my plan worked. I drove from 2+ hours (actually took me 3+) from
Forest Hills, NY to Kingston, NY where I planned on parking in the
parking lot of a Trolley Museum. The Trolley Museum was located about a
mile or more from the venue, which I planned to walk. Gates to the venue
were to open for parking and foot travelers at 5:30. so I figured by the
time I traveled the mile or so to the venue then I may have a chance to
be the near the front of the line. As a GA only event it was set-up for
three sections A (seated), B (seated) and Standing Only. As I had an A
(seated) ticket I figured that if I arrived at the gates around 5:00
o’clock I stood a good chance at getting a seat close to the stage. It
happens that the Trolley Museum was located in a hip part of Kingston,
but that the sign said parking only until 8:00pm, all violators will be
towed. Damned! This was going to put a huge dent in my plan. But I
noticed some guys doing valet work at a restaurant across from the museum
and asked then about the towing situation. They said, no worries, ‘we use
that lot to park the restaurant customers cars and that no one ever gets
towed from there. Fantastic! So off I go on the mile plus walk. But, it’s
hot and very humid, so I figure... what the hell, why not try to hitch a
ride. It doesn’t take but six cars until I get picked up — by a Bob fan
no less. He drops me off at the police checkpoint where I see that this
is where the traffic jam stems from. All the cars have come from the
roads leading into the venue and are now in line waiting for the gates to
open. I start to walk to the event and here someone holler to me, it’s
Ed, my bad ticket/good ticket, good CD/bad CD friend from the Port
Chester, NY shows — and what does he have for me... Good Cd #1.
Serendipity. I love serendipity. Ed, you are my Bob Dylan angel, thanks
man. So, I thank Ed, wish him a good show and proceed to stroll past the
waiting traffic, past the serious cops and up the road to the first gate
where the early arriving Bob fans are in line. I am about number 25.
Perfect! I wait 10 minutes, the gates open at 5:30 and we (all 25 or so
of us) walk up the road to the venue where we wait again until 6:00pm
when the doors open. I am at the front of this line and needless to say I
am going to find a good seat. When we are allowed to enter I am able to
find a front row spot directly in front of Bob’s piano and I am ecstatic!
Plan well executed.
Back to the show. Stu strolls onto stage and gives the crowd our first
reason to cheer. As he lightly strums his guitar, George sets up shop and
is shortly followed by Bob and the boys. The crowd roars as the band
charges into a rousing, throaty THINGS HAVE CHANGED with Bob in excellent
voice, the band greased and primed and George with some badass beats. A
sweetly grooving, and beautiful rendition of DON’T THINK TWICE, IT’S
ALRIGHT follows. The crowd is loving it. HIGHWAY 61, with thundering
percussion, blows the show wide open. God said to Bob, give them a great
showwwwwwww!! And he was. The first American standard tonight (there were
six) was WHY TRY TO CHANGE ME NOW. Bob now owns and inhabits these songs,
giving them depth and emotion that only he can. Some of these songs now
feel like Bob Dylan songs. Bob was having such a good time with this song
that there was an audible laugh between he and the band when he sang ‘Why
can’t I be more conventional’. So good. But the next few songs is where
the show went from good to great for me. The skies were still light when
Dylan sang the opening line, ‘Summer days, summer nights are gone’ and
were menacingly dark when he groaned the last line, ‘I play in blood, but
not my own’ six songs later. In between was a aural sensation — SUMMER
DAYS (Donnie with wonderful string work), LOVE SICK (with a new, sinister
arrangement), DUQUESNE WHISTLE (new slower arrangement, bouncy with nice
jams), MELANCHOLY MOOD (Bob looking cool, sounding great, hydrating after
this song), STORMY WEATHER (Bob digging deep, reaching for even more
vocal emotion than he had in previous versions) and PAY IN BLOOD (as
forboding as ever, with some tinkered lyrics) — thick rock, deep roots,
soulful blues, swinging jazz, ominous, smooth, rough melodies and ragged
to rich vocals. Bob, 76 years in the tooth, it’s a hot, humid night, he’s
dressed to the nines, jacket on, dripping sweat, putting all his effort
into a richly provocative performance. Six truly wonderful songs.
Bob sits down at the piano for a nice version of ONCE UPON A TIME. He
does this with great tenderness and feeling. The audience is hushed and
respectful with inspired reactions at the end of this song and all of the
American standards in general. As a matter of fact, now, when the
audience hears the first chords of some of the American standards, they
applaud in anticipation, which is a far cry from several years ago when
Bob first tried some of those songs in the Beacon Theatre only to be met
with ‘play your old stuff, Bob’ from the uninformed Bob fans. You either
come up to Bob, or stay down where you are.
Now the concert goes from great to phenomenal for me and probably into
one of my top seven Bob shows. A sinister version of EARLY ROMAN KINGS,
slightly slower and rearranged from previous shows. Then a top- notch
version of TANGLED UP IN BLUE has Bob extremely engaged, with some odd
lyrical phrasing early, but bringing it home with gusto at songs end. At
this point someone needed to call the Kingston FD because the band was on
fire. One of the best TANGLED versions in a long time. Not to be outdone
though was a stellar version of DESOLATION ROW where Bob ditched most of
the awkward piano chops from previous shows for a more straight forward
reading. Superb one-two punch of TANGLED and ROW. SOON AFTER MIDNIGHT is
not on my list of songs that I want to hear from Bob most nights, but
tonight he gave a covetous version that had me riveted. Next up the band
(kudos to Tony here, and on most songs) crushes an exhilarating and
breathless THAT OLD BLACK MAGIC. This is one of the American standards
that Bob now owns. Listen to this version and no other version comes
close. The energy and dedication are addicting. I can’t get enough of
this one! LONG AND WASTED YEARS tonight was an alarming interpretation of
useless time spent with a previous love. The show ends with another
devastating vocal performance of AUTUMN LEAVES, which again is one of the
American standards Bob now owns. The crowd erupts, the band exits and we
thunder for more. Of course, Bob will give two more, maybe more?
The band returns to our cheers and slowly settle in for one of the
best versions of the penultimate song BLOWIN’ IN THE WIND. Absolutely
crystal clear Bob, doing some nice piano work, and the band nailing it
all. Bob was so into this vocally and musically that he seemed to let the
guys extend it a bit more than usual. Praise to all. The finale came much
too soon, the show went too fast, but here it was... a perfect BALLAD OF
A THIN MAN with extended jams, serious vocals and an all around vibrant
flavor. It was like the last line of cocaine... you just want more. But
we are to get no more and that's okay and expected For we got more than
our money's worth. What a concert!! Bravo and bellissimo!!!
Sorry about the long summary, but this is more than likely my last
Dylan show on this tour (although I’ve sung that tune more than once in
the last 10 days) and I wanted to convey what amazing shows these were.
Bob is at the pinnacle of his profession right now and these shows left
an indelible impression on me. The band is incredibly tight. I also want
to say that the Bob shows are made more enjoyable by the Bob Cats I have
met in the past and specifically the ones from the past two weeks. Asha,
Barry and Dylan, Ed (thanks again for the CD), Kate and Ross, Mangela,
Rick and Heather. Hi and thanks to all for the wonderful times. Others. I
can’t recall their names or faces but they all had spirit on the water. I
hope you all enjoy the shows still ahead on you itinerary and I hope to
see you all on the next tour. Travel safe.
PS. A tape of tonight’s show be great to acquire... looking at you Ed or
Ross. barry@gloffke.com
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