Thanks to Carsten Wohlfeld for the following review: After a day off that I spent exploring the lovely sights of the Great Ocean Road (thanks Stephen) it was time for the proper start of the Dylan Oz tour at the wellknown Flinders Park, the same venue that usually sees Steffi Graft win the Australian Tennis Open in January. We got down there from the Corner Hotel where our little pre/show gaathering had been at around 7.45pm only to find Australian war-up act Deborah Conway (I hope that's the way you spell her name) was just closing her seemingly unspectacular set, accompanied by a guitarist. The show was a sell-out with 12,000 folks attending, but the hall actually didn't look *that* huge and the sound was execellent down at the front, where we had our excellent second ro seats (thanks to Tricia!). At 8.05pm the lights went down and the woman and her crew who were so much more than just a support act took to the stage. Now Patti Smith is without a doubt my favourite female singer and when I first heard about the joined Dylan / Smith tour it was her who made me decide to go cause I really would get value for money here. Later on, whe I had my flights booked and everything I totally had forgotten about her, but when she came on stage I was absolutely thrilled.... Patti was wearing the exact same outfit that she wore on the famous "horses" cover 22 years ago, same hair, same guitarist (six/string god Lenny Kaye), same drummer / JD Daughtery and the excellent new additions Tony Shanahan on bass and Oliver Ray on guitar. I was going to do a song-by-song rundown of Patti's set as well, but since I didn't write down the setlist, I probably would miss out on a couple of songs and so here are just some general notes: They were absolute FANTASTIC. I never have seen a better support band in my life! After the Patti greeted the umm - select word - very well behaved Melbourne crowd's shouts of "Patti we love you" with "oh, they speak English here" even before one note was played she launched into a very slow, laidback version of Allen Ginsberg's "Howl". Next up was mz alltime/favourite Patti song already: "Free Money" and boy did the rock on this one. It was absolutely amazing to hear a note/perfect version of that terrific song 22 years after it was recorded played basically by the exact same band that broke up for 16 years in between. Patti's very well paced set included a number of great songs from her recent "Peace And Noise" album such as "Whirl Away" and a rough romp through "Dead City" but it was the classics that finally brought the house down - well sort of anyways: A perfect "Because The Night" four songs into the set, a hard-rocking "Pissing In The River" and the amazing adrenalin rush of the punky closer "Rock And Roll Nigger" which faetured some excellent Lenny solos and saw Patti ripping four out of the six strings from her guitar! Punk rock indeed! After a disappointingly short 50 minute set it took the roadies about 20 minutes to set up the stage for Dylan and his crew. They came out at 9.20pm, usual outfits, Bob in a different suit than on Wednesday (still a grey one though) to jump straight into: > Gotta Serve Somebody Great version as Bob obviously enjoyed to have all the people right at the rail (the stage rush had happened as sson as the lights wentdown), strong singing courtesy of Bob complete with the funny back-up vocals by Larry and Bucky. Excellent way to start a show, IMHO. > Senor (Tales Of Yankee Power) Bob had already started to smile and dance during the first number and that meant that we got a different kinda tone on "Senor". Whereas he sang it as though he was suffering in Europe in June and July this was the shiny happy version. A much appreciated choice of song nevertheless. > Cold Irons Bound Followed as expected and was maybe not as good as on wednesday night at the Mercury Lounge but still above average I'd think. Bob didn't put too much engergy into his singing though. A semi-autopilot rendition, if you know what I mean. > What Good Am I? A louder, more full-on version than in Europe and surprisingly he got all the words right as far as I could hear. > Just Like A Woman Strange choice for the #5 slot, but beautifully done. He played around with the phrasing on the first chorus quite a bit, till he found one he liked (and one I never have heard before). Very nicely done, sung with a lot of convincig passion. The start was a bit funny though, as Bob launched straight into a solo instead of the first verse, leaving behind the band looking puzzled. Actually Tony had to smile big time... > Silvio Long discussion whether or not to play it (here's hoping...) before they went into an okay, but not overwhelmingly great rendition of this old warhorse. David got one of the breaks wrong again (he usually fucks up at some point during this song - which I kinda understand cause it has a hell of a lot different part) which obviously didn't improve this average version. > Mr Tambourine Man (acoustic) Well, he did this one again, didn't mess up the lyrics as he did wednesday fortunately but he still doesn't find a decent arrangement for this. There was a short harp solo at the end that falls into the "crowdpleasing only" category. > Masters Of War (acoustic) Another excellent rendition, apparently as a reaction to the US bombings. Could be. > Tangled Up In Blue (acoustic) Very interesting version as Bob caame up with a completelz new guitar solo! Larry, Bucky and Tony all had to laugh out loud, but it actually sounded pretty good and the band did a great job following Bob. > Forever Young (acoustic) Started out okay, but as soon as Bob went into the solo it all went horribly wrong. Messed up the intended twin solo with Larry *completely* - Larry actauuly said "ouch" at one point! - but Bob didn't care and let Kemper virtually stop playing drums to go into a second round of axe solos that goteven worse! At that point Bob decided that he just wanted to get out of the song and they did and improvised a-capella ending similar to "Blowin'". Weird! > Can't Wait Was better than at the last show but nowhere near as groovy as the renditions that I heard in Miami Beach or Europe. Quick band intros followed. > Highway 61 Revisited Pretty cool version that all the people who didn't get to see the Mercury Lounge show liked alot, but it was less dynamic and shorter, so there's really no way to compare the two. Then they left. The crowd was actually so quiet that they turned on the houselights for a microsecond: "Hey folks, you better wake up or it's all over NOW, Baby Blue"! Some people actually woke up and Bob and band returned for yet another pretty nice rendition of: > (encore) > Love Sick It was good. > Rainy Day woen Nos. 12 & 35 was loved by the first-timers and hated by everybody else. > It Ain't Me Babe (acoustic) followed even though the roadies had put the electric gear up. Maybe for a patti duet on "Released"??? "Babe" was pretty nice, especially since everybody expected "Blowin" in this spot. Featured yet another rather unconvincing harmonica solo at the end too. After the song they stayed on stage and even though the roadies came up with the electric guitars again they stayed for another Patti-less acostic version of: > Blowin' In the Wind (acoustic) Nowhere near as nicely done as on Wednesday but still a huge crowd pleaser of course. A couple of smiles and bows later Bob was gone and the lights came on. Approx. 110 fun minutes had passed, Tricia and I left slightly disappointed, not because the performances had been below average, but simply for the fact that after "Just Like A Woman" at 35 he only repeated songs from the show two days ago (bar "It Ain't Me Babe", which you hardly can call a "new song" or "a surprise". Anyways, it was a more than promisig start for the tour proper and if he only brings out Patti for a song tomorrow or at one of the later shows, I'll be the happiest little camper around. thanks for your time, see y'all at Flinders Park on Saturday evening! Carsten -- "her name is eve and she lives two floors below, she is 22 and looks like linda ronstadt" (birdy num nums)
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