October 19, 2014
Review by Steve Rostkoski
Three nights, one setlist. I really can't complain though. Bob and the
band are presenting an excellent selection at these shows. Who would have
thought his sets would include only four songs even remotely thought of as
"standards" from his catalog ("Tangled Up in Blue," "Simple Twist of
Fate," "All Along the Watchtower" and "Blowin' in the Wind")? Or that two
soundtrack tunes ("Things Have Changed" and "Waiting for You") could
become mainstays? And instead of "Highway 61" or "Summer Days" as the
usual closing number, now the unlikely "Long and Wasted Years" takes the
slot perfectly. Such a program would have been unimaginable just a few
years ago.
After the Saturday weekend party crowd, Sunday's audience was polite and
relaxed. The musicians sounded more relaxed too, with Dylan pounding out
piano riffs even more forcefully than on previous nights. He frequently
repeated the notes on the piano, as if to direct the band by saying "THIS
is where I want the song to go." Of course the players masterfully
followed suit, which was fun to witness. "Duquesne Whistle" and "Beyond
Here Lies Nothin'" especially seemed to soar tonight.
Three shows in, this tour is about digging the subtleties, rather than
expecting any big song surprises. Once again, Bob is challenging his fans
to hear him in a new way. Not as a greatest hits act, but as a current
artist proudly performing his later work.
See you next time somewhere down the road, Bob!
Steve Rostkoski
Review by Mitch Rath
Beauty Walks a Razor's Edge
In an exercise of powerful restraint, tight stops and starts, and a highly
practiced, and unchanging set list, Bob Dylan and his band, elevated the
art form of live music, once again, in Seattle this past weekend.
Bob and band could have blown the roof off the Paramount several times
over, and that moment came quite close a few times. But the current show
being played is not about blowing roofs off, it's about quite the
opposite, it's more about listening for the nuances, and subtle artful
brilliance these days, it seems.
The subtleties of differences between song versions on different evenings
became more pronounced as the weekend unfolded. At one time on Saturday
night, either during "Soon After Midnight", or "Spirit on The Water", I at
least, heard a few licks reminiscent of Les Paul and Mary Ford's "How High
the Moon", but did not hear that again, or prior to Saturday. And Sunday's
version of "Love Sick" was unbelievably well phrased by Dylan, his facial
expressions and little body motions so emotive and so beautiful-sometimes
doing kind of half dance, half funky little sashay thing across the
stage--*artful*, you might just call it.
The stage lighting effects that folks have mentioned is rich and dramatic,
and obscures anybody from too much scrutiny on stage. Bob occasionally
kicked up his creme colored boots on Friday, his brown cowboy boots on
Sunday, and his two-tone shiny black and white shoes on Saturday, as he
emphasized piano licks or lyrics, and it is, like the entire show, these
small, measured gestures of emphasis that thrill, without any hint at
grandiosity or showiness-just classy, artful and spare movements.
His voice was at times so very strong and almost piercing, matching the
strength and power of several moments during beautiful harmonica
breaks-nearly causing a chill on my end several times over, the newer
Tempest material he has *mastered* so well (seems like part of the focus
on the single set list is mastery, in some way, of these particular
songs)-it's pretty damned astonishing.
One reviewer mentioned a bit of self doubt over the high spend on tickets
for these shows (horrific prices, true enough), and I can fully understand
that perspective (is it worth it??)-it *was* a ton of money to sit in
decent seats. Tonight, there is no doubt that I could not have missed any
of those shows in Seattle; none.
The highest point for me, was after the first show, walking away from the
marquee area in front of the Seattle Paramount Theater, when I had asked
my sons, aged 17 and 22, what they thought of the show-both had seen Bob
once before, but not at a show quite as good as Friday night in
Seattle-their response: "that was amazing-The BEST!!". These two boys are
musicians themselves, and they don't mince words, even to their old dad
regarding his favorite, Bob Dylan-this thrilled me to pieces....
It was a real high point having my family at some of these shows with me,
above all else-and we were very fortunate to have been able to attend-it
was a privilege, and a joy.
Thanks to the man who call himself Bob Dylan, and to that amazing group of
musicians- a nod to Tony and George for the strong backbone to that band.
Best, Fellow Bobcats!
Mitch Rath
Seattle, Washington
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