November 12, 2016
Review by William Robertson
Since no one else has weighed in yet, I'll share a few impressions of the
Asheville show until someone else wants to offer more expert details. It's
always fun when Bob comes to the Thomas Wolfe Auditorium in this mountain
town near my home, and I think he has done it in November more than once.
Must like the Autumn Leaves. It was a cool but pleasant night, down to
high thirties by the time the show ended.
Last show I saw was the last show of 2014 at the Beacon in NYC, and while
that was a perfectly serviceable show, this was a quantum leap better in
almost every way. What I call the nightclub songs have now been moved very
effectively into the setlist, complementing, not dominating, and Bob
delivers them with absolute conviction and with some very cool dance moves
as a bonus. (He was wearing a black suit with wavy decorations on the legs
and sleeves, a dark grey hat, a scarf, and black and white boots. I was in
the cheap seats, so that's the best I can do. Hat came off only when Bob
was seated at the piano. Maybe that's just good manners.)
The surprise of the night was Duquesne Whistle, which I had no reason to
expect, and as you can see, there were some interesting rearrangements of
the setlist, perhaps as a domino effect from that. This was also the first
21-song night at least since the Southern leg started, and I think farther
back than that.
HIghlights for me were Tangled Up in Blue, which had an amazing
arrangement and so many lyric changes that I could not possibly recount
them; and Long and Wasted Years, which was distinguished by Bob doing a
distinctive move at each of the pauses in the melody. Hard to describe,
but very cool. He obviously loves this song, and delivered it stunningly.
Speaking of songs he loves, Stay With Me ended the show and was also
amazing. Needless to say, Desolation Row was also brilliant, and I have
only heard him do that a very few times.
One more thing that merits additional research: Bob is making some lyric
changes in songs that are reflected in the new Lyrics book, at variance
both with the albums and the official website lyrics page. Love Sick (viz,
verse 2) and Pay in Blood are two clear examples, but there are probably
more.
The band was sharp in dress and play. I was particularly impressed with
Donnie, who was his usual subtle self, but absolutely brilliant, and now
and then would get a moment to do something magical on the steel. One such
moment happened in TuiB--check the recording for that. There was also
another moment when for about one second, briefly but very clearly, he
played an absolute country riff that would have made Hank Williams happy.
Little details: the light crew did their usual brilliant job, the sound
was perfect, and, very interestingly, the show started at no more than
three minutes past the assigned hour. That Bob is a professional. There
appeared to be not an empty seat for our Nobel laureate.
William Robertson
Click Here to return to the Main Page |
page by Bill Pagel
billp61@execpc.com
Current Tour Guide |
Older Tour Guides |
Bob Links Page |
Songs Performed |
Set Lists by Date |
Set Lists by Location |
Cue Sheets |