Review provided Alistair Hunter BOB DYLAN @ The El Rey Theatre in Los Angeles, Thursday 12/17/97 The El Rey Theatre with it's audience capacity of 900 is a wonderfully intimate venue. Again I was stage left, on the riser by the speakers, and 18' from center stage. As soon as Jewel came onstage, someone shouted out "Like A Rolling Stone" and she promptly flipped him off. Then she rather politely said, "You're welcome to come back later.". I listened to Jewel's "Pieces Of You" 1994 on the way up to the show. This is an album that is still charting more than three years after it's release. There is no question she has grown with experience and has the potential for so much more. Just a gal and her acoustic guitar. She started with a new song "Don't Walk To Close" ...and her guitar sound was breaking up ...both for her and for the audience. She told the soundman...but kept trying to make it happen. Finally she just stopped and asked the audience," Does this suck as much as it does for me?" Again to the soundman..."What do you want me to do?"...Extremely slow and poor response to assist her. Finally someone tried a different plug and she banged on the guitar a bit and broke into her set including some very powerful new songs.. I'm not sure I know all the titles, but this is my best shot..."I'm Sorry"; "A Song About Hollywood"?; "Strange"? ( I think this was the point where she told the audience to "shut up" and this quiet and lyrical piece) ; "Pieces Of You" ( she introduced this song by telling the story of playing for a modeling convention with major celebrities who just didn't get it ... when the lyrics of "ugly girls"... "faggot" and "Jew" rang out ...forks dropped...and she was left with a somewhat stunned audience...there is no question she has learned from her stage experiences) "Who Will Save Your Soul"; "I Tryed To Forget You" ( very Dylanesque! ); "Last Dance Radio" ( wonderful!); "Deep Water"; "Song My Dady Taught Me" ( a wild increasingly intense yodel that pleased the entire audience ). There were shades of Joni Mitchell, and one could remember a very young Joan Baez with just a guitar and a voice opening for Bob. I was surprisingly impressed and look forward to her new work. It is clear this is a singer/songwriter that has a "connection". Bob hit the stage right on time with Larry Cambell (electric & acoustic guitar); David Kemper (drums); Bucky Baxter (acoustic, electric guitars ,pedal steel guitar & mandolin); and Tony Garnier (electric guitar & acoustic upright bass). It was "Maggies Farm" (again the signal that this is a new sound and a new Dylan who moves and talks more than ever); "Senor (Tales Of Yankee Power); "Cold Irons Bound" ( a sonic introduction and then it is solid and hot!); "You're A Big Girl Now"; "Can't Wait" ( again there is an intro that kinda winds up and there he is ..a solid punch) ; "Silvio" (this is very live 'new' rocker and tonight it featured 'Dead Eyed Dylan' ) ; Roving Gambler" (traditional acoustic); "One Too Many Mornings" ( a sonic intro ...you're not quite sure what it is gonna be and then what a treat!); "Tangled Up In Blue" (acoutic...this is the one that has the audience right with him the rest of the evening and he knows it. He is coaxing the sound out of this guitar and this is also 'The Limbo Dylan' doing the "how low can I go" routine...kinda 'The Dylan Dance'!!!!! ); "White Dove" (this is electric and he is doing "The Dylan Waltz"!) ; "Blind Willie McTell" (where has this baby been hiding for so long?) ; "'Til I Fell In Love With You" (strategically placed as the final song...wild!) ; and then he is back for the encores....."Highway 61 Revisited" ( this is the most amazing version!) ; "My Back Pages" (acoustic and much more alive and clearly touching than the recent "Bob Dylan Live '96" EP4 release!....were the lyrics really..."I was so fucking older then, I'm younger than that now?" Oh. And here he is doing 'The Dylan Swagger" and then 'The Dylan Duck Walk'!); "Love Sick ( one of the most powerful Dylan songs in some time!) "; "Rainy Day Women #12 & 35" ( the lights are up for this one and the whole house is rockin' and he is playing to and acknowledging the audience). Again the guy who used to just stand and sing one song after the other and just split, talks more and shakes his tail feather. Tonight I spotted 'The Dylan Toe And Heel Taps' AND 'The Dylan Knee Dips'!!!!!! along with --->..."Thank you everybody" ...when he does the band introductions he does his " We were trying to get Don Henley up here tonight but we couldn't find him"...and a surprise acknowledgement of ..."...one of the great drummers in the audience tonight...Ringo Starr...where are you Ringo?...I guess we don't want to put the spotlight on him". Ringo was actually up in the VIP section in the balcony seats, but for a moment I thought I spotted him in the front by the stage. I thought ...wow!...maybe he's gonna hop up during the encore! ...but then I realized the guy I was looking at had way more hair than Ringo these days. Each night of the Bob Dylan Festival in Los Angeles appears to be getting better. CAN'T WAIT until tomorrow night!!! Alistair (Al) Hunter
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