= Bob Dylan - Bob Links - Omaha, Nebraska - Reviews - 03/21/26


Reviews
Omaha, Nebraska
Orpheum Theater
March 21, 2026

[Peter L.], [Aaron Johnson]

Review by Peter L.


When the band first entered and started playing - I was totally jazzed.
The band was in absolutely top form and tight as tight can be. At
first, I thought George Receli had returned on drums, but I could not see
his face because the cymbal was blocking his face from my vantage point.
Apparently it was Mr. Fig who has adopted the same hat that George always
wore.

In walks Dylan in a raincoat with the hood pulled over (it was 99 degrees
in Omaha). I get it that when people get older, they get chilled. When
I saw him in Phoenix last year, he had his hoodie pulled up and little lit
trees to block his face. His piano was set up as far from the rear of
the stage as you can. Gone of the days of Dylan front and center from
Rolling Thunder, now he seems to try to distance himself as far as he can
from the audience. Dylan starts on the piano derailing the cool groove
that the band had going on I'll Be Your Baby Tonight. This starts a
night of Dylan fidgeting with the mic stand. Picking it up and dropping
it as a boom echoed through the house mains - this strange behavior
continued through most songs.

Vocals were mostly indiscernible. Long Black Coat was nice - really the
best song of the evening. Then comes the reworked All Along the
Watchtower - when I first heard this last year, loved it. But tonight,
as the drummer started to kick in, Bob gave him "the eye" and he dropped
right back into the minimalist dynamics. More mic booms through the
mains. No vocals.

On some songs, the musicians had no idea what Dylan was doing. Just
completely stopped playing - even Tony could not get the train back on the
tracks. This was a rehearsal at best.

Mr. Dylan did not seem to have an awareness of where the mic was.
Sometimes he was a foot away from it and no vocals would come through,
other times he would be on top of it producing a severely distorted vocal.
I really hope that I was not seeing mental decline. I hope to be as
sharp as Dylan when I am his age.

This show was a complete train wreck. Will I go see Dylan again -
absolutely. I almost gave up on him in the before Time Out of Mind -
those early 2000 shows were mesmerizing. You never know when Dylan will
change things, or get rest, or whatever. I do see his venues getting
smaller - the people next to me left about a third of the way through the
show. I only saw about 10 people leave early.

If this is what we are to expect, I think it is the end of the Dylan era.
No one can replace this guy. There was a feeling of sadness leaving the
show. God Bless Bob Dylan.

Pete L.

[TOP]

Review by Aaron Johnson


Long-time listener, first-time caller.

Omaha marked show number 49 for me. My first was in 1985, so I'm
relatively young compared to some of you. ;) I inherited my passion from
my dad, and we used to go to shows together when I was younger.

I hesitated to write a review, but after reading the Sioux Falls review
from the following night, I felt compelled to respond.

I told my wife I usually don't like attending the first show after a break
because it can be a bit rough. I'm heading to Iowa City soon and wanted
that to be number 50. My son is coming with me; he's been to a few shows.

Bob came out wearing what I'd describe as a hoodie he picked up at Target
earlier that day. He kept the hood up all night. It might just be his look
for this leg. It was strange but not unusual for Bob. Lol.

I immediately said after the show that I thought Bob's voice, when
audible, was as strong as it's been in a long time. The break seemed to do
him well. The band was incredibly tight, and the setlist featured many
favorites I hadn't heard live in a while. "Man in the Long Black Coat" is
my favorite, hands down, and it did not disappoint. The rendition of
"Watchtower" felt special; it sounded like the arrangement was borrowed
from "Man Gave Names" - a cool combination in my mind. I also think "Don't
Think Twice" was the most unique version of any Dylan song I've heard over
the years.

Now, the rough part. Bob could hardly be heard for most of the set. He
kept fiddling with the mic the entire night, making some thumps and bumps.
I figured it was the first night with a new setup and that something
wasn't quite right. A few times, you could hear people saying, "We can't
hear you." No one came on stage between songs to make adjustments. He
stood up and sat down several times, hoping it would improve. The band
responded accordingly, and while it wasn't overbearing, as a band, it can
only go so low. After reading the Sioux Falls review, which described a
similar situation, I hope it's not intentional, as that reviewer
suggested.

One interesting result of this issue was that the audience was as quiet as
I've ever heard. You really had to lean in and listen closely to hear him.

"Every Grain of Sand" as the encore was the best moment of the night. The
crowd went wild when he grabbed the harmonica. I find it amusing when new
audience members don't understand what's happening—they expect an encore
and don't realize that was it. Bob doesn't leave the stage anymore.

A couple more nights until Iowa City. We'll see what happens next.

Aaron Johnson

[TOP]

Click Here
to return to the
Main Page

page by Bill Pagel
billp61@boblinks.com

Current
Tour Guide
Older
Tour Guides
Bob Links
Page
Songs
Performed
Set Lists
by Date
Set Lists
by Location
Cue
Sheets