April 16, 2018
Review by Coenraad Botha
Vienna was overcast with Sahara dust covering the city in a thin layer of
sand. In the usual fashion groups of people move quietly towards the
Stadthalle. Outside a busker is doing a good mid-sixties Dylan
impersonation.
Stadthalle is full. Dylan’s band start absolutely punctual. From the
warm up it sounds like these guys have not played together in years. This
is a trick that will be used at the start of each song. Until the song
finds its direction and storms forward in a tight structure.
The new age Dylan anthem “Things Have Changed” kicks of procedures and
sets the tone for the evening. Dylan standing behind the piano pounding
rock riffs. The band tight. The sound is good. The song fantastic. And
fully unrecognizable.
Dylan drives his concert as a history lesson of American music. Boogie
woogie, country waltz, blues rock, Chicago blues. Various songs adapted to
the specific genre. Often with lovely surprises. Interspersed with a few
Sinatra style songs. A lovely rhythm to the concert. Even a Dylan song
amongst the genres (this time Desolation Row, a wonderful time travel to
the sixties).
The audience enjoys every minute. (One needs to understand the Viennese
audience as a quiet, passive but appreciative crowd). Spontaneous applause
greets the first notes of Melancholy Mood, a sign that the crowd did not
expect the busker outside.
My favorites, a deep blues groove on Roman Kings (Charlie on his Gibson),
a beautiful Desolation Row, a fully unrecognizable Tangled.. Thunder On
The Mountain with (Charlie on a Telecaster), a beautiful Blowin’ and a
final spurt on Thin Man (Charlie now on a Strat) and the most beautiful
piano riffs from his Bobness.
What a pleasure, what an honor to see this living monument do what he
does.
The crowd disperses, satisfied. Outside in the Sahara dust is a guy
singing some Dylan songs in a strange sounding voice. No-one sings Dylan
like Dylan…
Coenraad Botha
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