April 29, 2014
Review by Al from New Hampshire
Susan and I were lucky enough to be in the audience for the Honolulu show.
I loved it. The crowd loved it. I won’t go into a song by song
analysis here since all of you are maybe a bit too familiar with the set
list by now. Just some impressions. The show begins with the lights going
dark, the NBC chimes are heard, and then Stu enters wonderfully riffing on
the acoustic guitar like heat lightening on the horizon – or as I heard
in a song once –like the stillness in the wind before the hurricane
begins. I love this new intro to the shows. I’m also glad the somewhat
under-utilized Stu gets a chance to show off a bit. The sound 12 rows or so
back, in the center, is great throughout the show. I keep marveling
how this is as good as any acoustics I’ve heard for any show I can
remember. And a good thing too, because the show is very strong for its
lyrics, delivery, color, atmospherics. Not a rock-and-roll show really.
A bit subdued by that measure. But rich in its other measures. The crowd
is a smart crowd. Very appreciative of the moment. And they seem to know
all the new songs quite well! He has their attention – for the most part
anyway, there’s always the chirp and the chatter of the people who come
to talk non-stop during the songs. (If you want to talk with each other or
just hear your own voice, go to a coffee shop and save a hundred dollars
– that’s the advice I hear from Ed. Great advice.) By midway
through the show the crowd has learned what to expect on this night, and
they seem quite happy to be there. During the show I’m thinking how
things have come full circle with Bob (though the wheel’s still in spin).
His very early career – before picking up the electric guitar - is all
lyrics, delivery, atmosphere, and story. And so it is tonight as well.
And he never picks up the electric guitar; in fact it is no longer even on
the stage. But the show contains well delivered killer Dylan-gems such as
ScarletTown, Long and Wasted Years, and Forgetful Heart. All very recent
songs. But it is the old Dylan, in both senses of that phrase. It is the
old Dylan in the sense that it is lyric and atmospheric and acoustic, and
it is now an old man’s writing and singing. The wisdom was always there,
but it is richer now. Thank you Bob! Thanks for the opportunity to catch
up with old friends. Thanks for getting us off our butts and to Hawaii
(and why did we wait so long to do that? Damn its nice here.) And
thanks for the great show. I’ve been to many of your superlative
hard-core rocking shows. But this quiet show is one I’ll remember for a
long time.
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