October 17, 2009
Review by Howard Weiner
Arriving three days prior to the Bob Dylan Show, I hastily split Phoenix in a
shuttle van heading north with six strangers. Our ninety-five minute jaunt
featured cactus and tumbleweed and tumbleweed and cactus. We blew by Carefree
Highway, and then passed a town called Bumble Bee on our way over Mingus
Mountain, elevation 4000 feet. Freefalling down the backside of Mingus,
somewhere near Cottonwood, the Red Rocks of Sedona beckoned on the horizon. For
two days, I basked in the breathtaking beauty of Sedona as the sun illuminated
the Red Rocks and shadows danced on the mesas. With my soul and spirit soaring I
returned to the Valley of the Relentless Sun where Phoenix was experiencing
record breaking autumn heat – 100 degrees.
Dylan performed at the Phoenix Memorial Coliseum, situated in the gut of the
Arizona State Fair. I didn’t observe any advertisements for the Dylan show on the
fairgrounds, it was swallowed up by the carnival hoopla: Ferris Wheel, freaks,
barkers, neon lights, wild rides, candy apples, cotton candy, snow cones, Indian
fry bread, Polish sausages, Cajun corn dogs. The new culinary delights were deep
fried scorpions and smoked lizard on a stick.
I waltzed in around 7:06 as Dylan and His Band were concluding a Cat’s in the Well
opener. The sound was thundering and the thick howl of Dylan’s voice exploded
into every crevice of the coliseum, but by the time I found my seat, two more
tunes expired, Lay Lady Lay and Baby Tonight. Dylan appeared like a panther in
black cowboy hat and his band looked sleek in shiny black leather jackets. It
was fabulous to hear and see Charlie Sexton on lead guitar, again.
Donnie let his trumpet blow as I caught my first Beyond Here Lies Nothing. Love
Sick was a thrill in the sixth hole, and Charlie’s crackling leads made If You Ever
Go to Houston delectable. Dylan was prancing around and jiggling behind the
organ (first three songs he was on the electric gee-tar). Dylan swaggered to the
center of the stage, harp in hand, and delivered an animated lead-singer
production of Workingman’s Blues. He waggled his finger at the crowd as he
preached the chorus, demanding his boots and shoes. Thunder on the Mountain
was wild and wooly, Sexton tore it up. Staring at Thunder Mountain in Sedona
for two days, I looked forward to seeing Thunder, but also realized the show
was about over. Dylan wrapped up his brief fairground outing with Ballad of a
Thin Man and the same old encore trifecta. Concert over at 8:30, it was obvious
to this observer that Dylan had to adhere to a time slot restriction. It was a
shame because he had his mojo working.
With my old NYC friend Jim and his lovely wife Susan, and a drummer named
Hutch, we sucked back multiple rounds of Hoegaarden at the Loose Leaf. We
headed back to Jim’s Phoenix pad where his magnificent twenty-seven pound
pussycat, Rick, gave me the creeps and an evil eye all night. Apparently, Rick
has attacked two guests before leaving behind a bloody trail and one black
eye. I was eyeing my 100th Dylan show in Vegas the following night, so I fed
Rick treats until 2:00 PM and petted him with tender care. I’m pleased to
report that I’m at The Mirage enjoying a Champagne Buffet Brunch at this
very moment. Howard Weiner www.visionsofdylan.blogspot.com
Comments by Rick Greenwald
"I'm countin' on you, love, to give me a break . . ."
So sang Mr. Dylan a while back, and something I should remember. The Phoenix
show was really good, despite very poor acoustics and a somewhat rowdy crowd
(I saw a fistfight in the upper rows during Highway 61 which required
intervention by the ushers).
The show was brisk and rocking, with some real highlights, including the Nashville
Skyline doubleheader of Lay Lady Lay and Tonight I'll Be Staying Here With You.
Bob seemed to be deeply involved in the shows, contributing a couple of guitar
solos and with his organ higher in the mix. And Love Sick was magnificent, rising
to the heights on Bob's world-weary vocals.
So what's the complaint? Well, I was at the show a week earlier in Berkeley,
which seemed to be of a higher rank than this one. Last week, Bob played a lot
more harp, seeming to just jump in for some unplanned solos, as well as moving
around the stage frequently.
And last week, the new band and level of musical commitment from Dylan was a
surprise, while I expected as much this week. Even this night of music, with a
handful of spine-tingling moments, left me wanting more.
I mean, geez, if I am this jaded a week after one show, it explains the multitudes
waiting for Dylan to return to his folksinger form of the the early 60s, or the thin
wild mercury music with The Band, let alone the multiple musical personas worn
in the decades since.
So unless you are the type who is able to always hear with new ears, just stop
reading this - stop trying to anticipate, and just go see our musical treasure.
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